caballo, famous, phamous , caballosilver, music, industrial, postindustrial, rock, pop, experimental, jose, henriquez, angela, gugliotta, robert, cultooculto, culto oculto, cultoculto, somaraza, paulo , de oliveira, girls, caps, babes, sex, sex advise, tits, food, beauty, nude, naked, men, photographs, downloads, wallpaper, vibrators, horse, corcobado, justo bagueste, nin, love and rockets, spain, porn, girls, hot chip, tom waits, dermis tatu, seguridad nacional, pil, Public Image. un-limited., john lydon, punk, folk, dance, fuck, fuck you, diamanda galas, prodigy
One day you dreamed that you were free and
to the awakening you met in a field fence. Caballo. You wanted to
run but you could not. You wanted to dandle, to kick, to jump and
to kick out. Caballo. It’s time to neigh not to stop to
sleep to the owner in his house, to another side of the fence.
It’s time from that the smell of your dregs comes to the
nose of your jailer and muddies his rest....
Caballo
(What is Caballo?)
This artistic project is born of an expressive need and therefore
a look is first of everything to the navel. Our need does not
have to be different from that of every artist when he feels that
his blood does not fit him in the veins however much the system,
the environment and determining some others try to convince him
otherwise.
(What does prosecute Caballo?)
We neither look for anything, nor want to say anything
especially. Only we know that what we see and hear we have not
just liked. We like what we do and it imports for us little the
rest. This is what we do, this is what there is, tomorrow, God
will say and only he knows if we will listen to him.
(How does Horse express?)
Of all the possible channels, we have begun for the shout, the
lament and the spit. Nevertheless we do not discard other
possibilities, from the scrawl up to the graphical distortion or
the mime. What we do is always a mixture of everything, through.
Because of it, we walk today on a cable (http://) but we can
dance on the cut of a disc, run for the street or jump on the bar
of a bar.
(The one who does compose Caballo?)
Many people fit in Horse. But for what us incumbe in the
essential thing we are 1, 2 and 3 and are not the holiest
trinity, not. One or two to compose, one or two to record but
three to shout. We like the force of the direct one and for it we
want neigh cigar of the horse, the sound of his hulls and his
tail banishing the flies. Because already it is known that where
there is shit there are flies, and of all that, as Caballo that
we are, we deal awhile.
For what FUCK YOU?
Because it sounds and resounds, it drives, calls, smells and
vibrates; because of it fuck you, fuck you you, fuck you I and
fuck you everything. The first letters that made us jump of the
chair were in English. Cooooo?We do not go away to questioning
why to continue doing it in this one or in another language, the
essential thing is the music, this it is our language. This and
the vibration. Declare and listen to this vibration: Ffffffuck
yyyyyou. And now was it necessary to ask it you?
Un d?so?e que eras libre y al despertar te viste en un campo
vallado. Caballo. Quisiste correr pero no pudiste. Quisiste
brincar, cocear, saltar y patalear. Caballo. Es hora de relinchar
para no dejar dormir al due?n su casa, al otro lado de la
valla. Es hora de que el olor de tus heces llegue a la nariz de
tu carcelero y enturbie su descanso ....
Caballo
(¿Qu?s Caballo?)
Este proyecto art?ico nace de una necesidad expresiva y por lo
tanto es primero de todo una mirada al ombligo. Nuestra necesidad
no ha de ser diferente de la de todo artista cuando siente que su
sangre no le cabe en las venas por m?que el sistema, el entorno
y otros tantos condicionantes le intentan convencer de lo
contrario.
(¿Qu?ersigue Caballo?)
No buscamos nada, ni queremos decir nada en particular. Solo
sabemos que lo que vemos y o?s no nos acaba de gustar. Nos
gusta lo que hacemos y nos importa poco lo dem? Esto es lo que
hacemos, esto es lo que hay, ma?, Dios dir? solo ?sabe si
le escucharemos.
(¿C?se expresa Caballo?)
De todos los canales posibles, hemos empezado por el grito, el
lamento y el salivazo. Sin embargo no descartamos otras
posibilidades, desde el garabato hasta la distorsi?r?ca o la
m?ca. Lo que hacemos es siempre una mezcla de todo, de
principio a fin. Por eso, andamos hoy sobre un cable
(http://www.caballo.fts-records.com) pero podemos bailar sobre el
corte de un disco, correr por la calle o saltar sobre la barra de
un bar.
(¿Qui?compone Caballo?)
Cabe mucha gente en Caballo. Pero para lo que nos incumbe en lo
esencial somos 1, 2 y 3 y no somos la sant?ma trinidad, no. Uno
o dos para componer, uno o dos para grabar pero tres para gritar.
Nos gusta la fuerza del directo y para eso queremos el relinche
puro del caballo, el sonido de sus cascos y su cola ahuyentando
las moscas. Porque ya se sabe que donde hay mierda hay moscas, y
de todo eso, como Caballo que somos, entendemos un rato.
(¿Por qu?UCK YOU?)
Porque suena y resuena, impele, llama, huele y vibra; por eso
fuck you, fuck you t?ck you yo y fuck you todo. Las primeras
letras que nos hicieron saltar de la silla fueron en ingl?
Cooooo?No nos vamos a cuestionar por qu?eguir haci?olo en
este o en otro idioma, lo esencial es la m?, esa es nuestra
lengua. Esa y la vibraci?Pronuncie y escuche esta vibraci? Ffffffuck yyyyyou. Y ahora ¿era necesario pregunt?elo?